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Bloody Photos of the “Bloodless” Crime Scene Emerge

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ImageWhen Calvin Moses and his passengers came upon a young John Hartman badly beaten, barely alive, and draped over a curb around 2:50am on that cold night in October 1997, the sight of his body was so frightening that the four adults did not get out of the car for fear the attackers were still nearby. They rushed to a nearby apartment complex and called 911. In fact, John Hartman was so bloody and badly beaten that they could not tell if he was a boy or girl, face up or face down. Only that if he was alive, he was barely alive.

One EMT who responded to the call was so badly shaken that he called home, woke his wife, and pleaded with her to lock the door. In the first newspaper article about the case (HERE) the lead detective described the crime scene as “horrific.”

Perhaps Detectives Aaron Ring and Jim Grier (who did the bulk of the police work on this case) believed that when the lab results came back from the car, the clothes, boots, shoes, hands, and feet of the four young men they had arrested in the hours immediately following the girssly discovery of the murdered boy, that the lab results would show what any reasonable person would expect to find on the people and car used to commit a violent stomping and beating death – DNA. And lots of it. But the lab results didn’t tie the Fairbanks Four to the victim. So, they tested, and retested. They took Marvin’s car apart to the point that it cannot be reassembled, searching for blood. And they found NONE.

NO DNA EVIDENCE HAS EVER LINKED THE FAIRBANKS FOUR TO THE CRIME THEY ARE CHARGED WITH COMMITTING.

When the police realized that there was no physical evidence linking Marvin Roberts, Kevin Pease, Eugene Vent, or George Frese to the murder of John Hartman, they did not begin looking for other leads. They did two things – they shopped for jailhouse snitches and “lost” a lot of evidence that would have supported claims of innocence by the four young men and pointed to the guilt of others.

So many things have been lost in the Fairbanks Four case. Life. Time. Freedom. Hope. Memory. Intangible things.

But a lot of other things were lost. Tangible things. Evidence. For example, the first interview police did with Chris Stone. That was “lost.” The transcript of the police interview with EJ Stevens simply directs the reader to the audio recording. Somehow, it was lost. Perhaps no coincidentally “lost” piece of evidence stands out more than the missing crime scene pictures. With no photographs of the crime scene, the public and juries had to rely on the word of the investigators who examined the crime scene (primarily Ring and Grier).

For many in the Native community the moment that the crime scene went from “horrific” to “virtually bloodless” was the moment when it became completely clear that something was extremely wrong with this case. These are, after all, a people who have many times seen a death on the first winter snows when they are blessed with a moose to feed their families. The idea that place where a boy was kicked and beaten to death would be bloodless has long seemed to be a deliberate lie. We can now confirm that anyone who saw the crime scene and later described it as bloodless was lying, and readers can confirm that for themselves by looking at the recently unearthed photograph above.

When KTUU Channel 2 Anchorage did their documentary The 49th Hour: The Fairbanks Four, they were granted access to the historical footage shot by KTVF. During this same KTUU documentary (which you can watch HERE) the CURRENT Fairbanks Police Department police chief applauds the exemplary work of the detectives who investigated the murder of John Hartman, even calling it “model” police work. In that film footage from KTVF that KTUU producers unearthed, buried in the long-forgotten reels of film shot the day that John Hartman died, were a series of images of the crime scene the police and DA described as bloodless. This photograph of the place John Hartman was killed looks exactly as we would have imagined.

Those of us that live with the land and feed our children with what we can gather and hunt know something about blood and snow. We have seen the warm blood of an animal hit snow and race across the surface, frozen. We have seen it seep, and spread slowly from a wound. The place where a life is taken, even when taken respectfully with one swift and cordial wound, is marked on the snow until spring washes it away. We know the way that snow makes blood sticky, how the course hair of moose cling to your hands and boots and resists any attempt to cast it away.

To take a life is to spill blood, and blood remains there where life poured out, and upon those who touched it. It tracks on boots and pants, fingers and hands. Life does not disappear without a trace. John Hartman did not lose his life without leaving a mark behind. Those who killed him did not leave the scene of the crime without the blood of John Hartman on their feet, in their car, on their clothes, their shoes, and hands.

That DNA evidence probably washed over time, as seasons changed. But blood is on the hands of many in the case of the Fairbanks Four: Those who really did kill John Hartman, those who chose to deliberately wrongfully convict the Fairbanks Four believing they had so little value that they would never be remembered and fought for, and those who “lost,” altered, hid, corrupted, and lied. Those people have blood on their hands that cannot be washed away with water or with time. For all those in our community and world who have blood on their hands through murder, corruption, conspiracy, or through the crime of silence, we have a prayer always on our lips and in our hearts for you – that someday you will be free from the prison you built for yourself. That you will choose to redeem yourself as best you can during your time on this earth. That you remember that every day that innocent men spend in prison for a crime they did not commit, you commit another crime, and your guilt grows.

You can try to bury the truth. You can try to outrun it, you can try to lose it by forcing it deep into the darkest theatres of the mind. But you cannot destroy it. You can take a lot from another human being – their life, their time, even their hope. But you cannot take their story, and you cannot take the truth. Truth has a power of its own, and someday, the truth will FREE THE FAIRBANKS FOUR.



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